Member Spotlight: Jakebe Jackalope

1. Tell us about your most recent project (written or published). What inspired it?

Right now I’m working on a serial story for Patreon, told in weekly installments, then bundled up once a month or so and posted to various websites. I’m really excited about the opportunity and challenges presented in telling a story in these episodic bursts; I think it really allows you to experiment with the plotting and structure in ways that maximize the impact of how things roll out.

This first serial is something I’ve been developing for a while, called “The Cult of Maximus”. Two mismatched police officers — a large, gentle wolf and a small but aggressive rabbit — are investigating the disappearance of various homeless people within their jurisdiction of Fog City. The discovery of what’s been happening to them pulls them both into a sprawling conspiracy that has designs on guiding the kaleidoscope of sapient species to the next stage of evolution. Now, this pair has to find a way to discover just how deep this cult goes and how to stop them while being in over their heads every step of the way.

I hope that the serial will give me the ability to arc out a deep exploration of these characters and how their experience with this mystic, impossible problem changes them — both inside and out. Of course, those changes manifest in ways that affect the people around them, and this serial will explore that as well. I’m really fascinated by how personal changes become community changes, and how those become bigger socio-political changes given enough time and momentum. We don’t exist in a vacuum, and I’m really jazzed about the opportunity to show that step by step.

All of this will be taking place in the context of a story with an erotic nature, which is also exciting and really tricky. I’m going into this with the idea that erotic stories can discuss serious and interesting topics; they can be arousing, thrilling and thoughtful at the same time.

2. What’s your writing process like? Are you a “pantser,” an outliner, or something in between?

Definitely “something in-between”. I’ve found that it really helps me to pull through a story if I have signposts that can lead me to the next big thing, so I really love having an outline that allows me to see the rough shape of a story. However, the story almost never turns out to match the shape of the outline I’ve given it.

When a story “grows legs”, it’s a sign that you’ve really tapped into something but it can also throw all of your plans out of the window. Characters end up doing things you’d never expect, pulling new characters from the ether that you never planned for; or a character will resist a certain plot point because there’s something about their personality that makes a necessary action impossible for them to take, so you have to back up and get to know this person in your head a little better.

So while the outline is definitely a big help for determining the joints of the story where things pivot, you might find that you need to reconstruct it on the fly fairly often.

3. What’s your favorite kind of story to write?

I think I really love telling stories about outsiders. People who resist type a little, perhaps, or feel that they don’t belong for one reason or another. I love digging into a character to figure out how they work, what makes them feel disconnected from their environment, and then writing the story that moves them a little closer to the world they inhabit.

Most of the stuff that I end up showing is erotic in nature, just because I’m a big fan of macro/micro stories as well. There’s something about the way physical transformation necessitates a shift in your mentality that I love exploring too; when you gain or lose physical power, it changes the way you see yourself and your place in the world. It’s more than simply lording power over someone else, it’s also dealing with this real, physical difference that separates you from your world and what that does to your psyche.

4. Which character from your work do you most identify with, and why?

This might just be because it’s what I’m working on now, but Officer Tom from “The Cult of Maximus” is someone I’m having a lot of sympathy for right now. He’s this sort-of average guy who holds strong beliefs without necessarily voicing them, who feels in over his head with his job most of the time, who is trying to balance the demands of this difficult profession with his home life. And just when he feels like he’s getting his feet under him, something else comes along to pull the rug out from under him! It happens all the time in life, and I think that’s what makes it such a fun story to write. Continue reading “Member Spotlight: Jakebe Jackalope”

Guest post: “RAWR: Year One Review” by Skunkbomb

RAWR: Year One Review

by Skunkbomb

 

Earlier this year, I paid to stay up late critiquing roughly 1,500 words a night from talented writers while teetering toward a panic attack as I wrote my first sex scene. I loved every minute of it.

rawr logoThis was the first year of the Regional Anthropomorphic Writers’ Retreat (RAWR) led by Kyell Gold (Out of Position, Green Fairy) with associate instructor Ryan Campbell (God of Clay, Koa of the Drowned Kingdom) and facilitated by Chandra al-Alkani. After an icebreaker dinner, the next five days would begin with lectures from Kyell, Ryan, Watts Martin (Why Coyotes Howl, Indigo Rain) and Jeff Eddy of Sofawolf Press. They covered world building, setting, character, structure, and publishing while some of the attendees were still drinking coffee in their pajamas. It was helpful advice to keep in mind as we moved into critiques.

Critiques swallowed up most of my time at the retreat whether I was critiquing the work of my peers or writing notes on the feedback the other writers provided for my stories. Listening to the other writers point out what’s working and what isn’t in my stories was both intimidating and exhilarating, but that may be my inner masochist (that explains why I applied for this retreat). Despite my fears, getting that feedback was invaluable. Not only could I trust the other writers to give me honest feedback, they always had something positive to say. Above all, RAWR is all about helping writers grow.

Each writer got two critique sessions. Some of us edited the first story and submitted it to be critiqued a second time after revisions. Some of us had two different stories to be critiqued. One of us even submitted a long story in two parts. I went with option two after I told Kyell about the second story I was working on and he encouraged me to submit it despite not being halfway done with the first draft. If you ever need a kick in the pants to finish a story, having a deadline due in less than 24 hours works wonders. There are times when I want to procrastinate, but being in such an environment got me to work on more writing than I’d done in a month.

One of the highlights of the retreat was the opportunity to meet one-on-one with Kyell and Ryan to ask them anything I wanted. I brought a paper with questions to mask the fact I was essentially word vomiting whatever came to mind. This ranged from serious discussion of my writing (How often should I put out new writing to grow my audience?) to the self-indulging (What tips do you have about writing anthro skunks?)

It wasn’t all work. We’d eat together at the private residence where the workshop was held … while finishing a draft before the submission deadline for critiques. We’d watched movies … while critiquing stories. Okay, so work bled into our downtime, but at least we weren’t bringing our laptops to restaurants when we ate out.

By the time the final day of the retreat arrived, I didn’t have peers. I had friends who I would root for whenever they submit work for publication. I had a renewed resolve not only to improve my writing, but also give back to the furry community. This was one of the most exhausting five days of my life that I wouldn’t trade for a spot on the bestseller list.

Book of the Month: Claw the Way to Victory

claw coverFebruary’s Book of the Month, Claw the Way to Victory, is edited by Sean Rivercritic of AnthroAquatic and includes stories from several FWG members.

We’ve all watched sports played by humans, or have participated in sports with our human limbs and senses.

What would happen if the sporting events we loved were played by animal people?

Claw the Way to Victory looks to answer that question with a variety of stories, each showcasing a different sport and just how the instincts of an animal matched with the intelligence of a human can help or hurt a player.

Scratching? Biting?

Against the rules?

Not this time.

 

Cover art by Pac.

Parental rating General/Mature (possible violent content). Available from Jaffa Books.

Guild News: February 2016

New Members

Welcome to our newest member Frances Pauli!

Member News

Book news: Fred Patten’s latest anthology, Cats and More Cats, was released at Further Confusion and will soon be available for order from FurPlanet‘s website. The first furry anthology from Jaffa Books, Claw the Way to Victory, was released at Anthro New England and is edited by Sean Rivercritic of AnthroAquatic. Bill Kieffer’s novella The Goat: Building a Perfect Victim is forthcoming from Red Ferret Press.

Short stories: You can read Madison “Makyo” Scott-Clary’s story “Milkshakes and Foxes” in the Further Confusion conbook, and Mary E. Lowd’s flash fiction piece “Dealership with the Devil” is online at Theme of Absence. (Check out their interview with her as well.)

Rechan has been accepted as an Associate Editor at EMP Publishing, for their online horror magazine, and in crowdfunding news, Joel Kreissman has begun a Kickstarter campaign to fund illustrations for his novel.

Congratulations, everyone!

(Members: Want your news here? Start a thread in our Member News forum!)

Market News

Upcoming deadlines: The second issue of A Glimpse of Anthropomorphic Literature is reading through February 15, and Fur the ‘More is seeking “Cubicle Jungle” submissions for its conbook until February 15 (maximum 2000 words, full info here). FANG Volume 7 and FurPlanet’s science fiction horror anthology both close on March 1; see guidelines for both anthologies here.

Remember to keep an eye on our Calls for Submissions thread and our Publishing and Marketing forum for all the latest news and openings!

Guild News

We’re seeking an editor for the next volume of our Tales From the Guild anthology! See this post in our forums for more information, and if you’re interested, please get in touch by February 21.

Want to hang out and talk shop with other furry writers? Come join us in the forum shoutbox for the Coffeehouse Chats, Tuesdays at 7 p.m. Eastern and Thursdays at 12 p.m. Eastern. More info on the Coffeehouse Chats is here. (Remember, our forums are open to everyone, not just FWG members. Come register and join the conversation!)

Elsewhere on the Internet, we have a Goodreads group with a bookshelf featuring books by our members. Feel free to add any members’ books we’ve missed so far (see the instructions here on how to do that). We also have a Telegram group, and you can find more info on that and a link in this thread.

Remember, we’re always open for guest blog post submissions from FWG members — it’s a great way to help out fellow writers. See our guidelines for the details.

Have a happy and creative February! If you have news, suggestions, or other feedback to share, send an email to furwritersguild (at) gmail.com or leave a comment below.

 

Member Spotlight: Kandrel

1. Tell us about your most recent project (written or published). What inspired it?

Let me get to that in a moment.  This’ll make sense when I get down to it, trust me.

Up to this point, just about every story I’ve written has been in one of two categories.  In one, I was writing for submission.  Just about every anthology has at least a broad theme, so just to start with I’m working under thematic limitations.  Even in situations where the theme either coincided with my own interests or was broad enough that I could do my own take with it, there were always word limitations, or content limitations–things I had to include, or things that I wasn’t allowed to include.  Not that I’m saying they’re restrictive, mind you.  If you’ve read a few of the anthologies out there, I think you’ll find that the stories included are usually quite diverse.  It’s just that while going in, I’ve always got this image in mind that’s pretty tightly boxed.  The story must be about this long, and it must contain these themes, and here are the lines in the dirt across which I must not put a toe.  Anthologies are great for keeping the writing juices flowing.  There are even a few stories I’ve written that wouldn’t exist if it hadn’t been for these themes.

In the other category, I’m writing just for my own enjoyment–quick pieces to post online, or longer challenges I came up with for myself to hopefully make myself a more adept writer.  These are usually don’t conform to any particular limits, and in the past I’ve explored some rather more extreme topics in them.  I’d like to think that these pieces are what I use to really grow as an author, but I’m not fooling myself.  They lack focus.  They wander through the plot.  When I read back through them, they’re little morsels of golden prose, linked by an otherwise mediocre framework.  It’s the type of work that any competent editor would take a big red pen to–and on the few occasions that one’s gone into print, that’s exactly what happened.

So back to your question.  Over the last year, I’ve spent a lot of time working on my first full-length novel.  Unlike the anthology submissions, it’s really unbound by any particular limit–except that it needed to be long enough to be a novel.  And unlike the ones I’ve written for my own enjoyment, I’ve taken the time to give it a good polish.  At the time of answering your question here, it’s done and sitting in a slush pile.

2. What’s your writing process like? Are you a “pantser,” an outliner, or something in between?

I think I’m about as far as you can get from being a pantser.  In fact, I’d like to state for the record that I “pants” as little as possible.  I prefer my stories with no pants at all!  Before I torture this metaphor too much further, I’m actually telling the truth.  My process for story writing is to think up the world, plot, and characters, and then tell myself their story over and over and over in my head until I feel it’s ready to come out.  The process of writing for me only really starts once the story is done.

That said, the process of writing is a bit of a battle for me.  It’s a combat between ‘the way it sounded in my head’ and ‘the way it reads best on paper’.  I know what needs to happen, so the hours I spend at the keyboard are primarily spent looking for the most clear, concise, and beautiful way to tell the story that’s running through my head.  If there’s any “pants” to be had in my process, it’s the struggle to fit the whole scene in my head into as few words as I can manage in print.

pile cover3. What’s your favorite kind of story to write?

Absolutely sci-fi.  I grew up with (and still love) fantasy, but I’ve slowly grown out of the world of magic and wizards.  I think at this point I’m too much of a desk chair scientist to be happy with an answer of “It works that way because it’s magic.”

4. Which character from your work do you most identify with, and why?

Oooh, are you tempting me to reveal my dirty secrets of self-insertion?

Well, I do have a few characters I’ve written that I can identify with.  As many of my friends were quick to point out, the fox in the story “On the Bright Beach” is quite clearly my own attempt at wish fulfillment (You can find that one on my SoFurry).  Okay, fine.  I admit it.  I wrote the story as if I were there personally.  But really, it was meant to be just a fun romp, and I didn’t see any harm in it.

But that doesn’t really answer the question well.  It’s a bit of a cop-out to answer ‘With whom do I most identify’ with ‘Myself.’  I think if I had to pick a character in another story that I tried to put the most ‘me’ into without settling for self insertion, that would be Taj from “Seducing the Sky.” (This one’s in Hot Dish from Sofawolf Press.)  I don’t think I really have the credentials to claim to be what he is–a trained symbiote-pilot from a super-advanced predatory alien species–but the personality I drew from experience.  I really like the concept of a warrior-philosopher.  Even though my analytical side calls it complete bunk, the idea of a soldier that follows the mantra of Sun Tzu’s Art of War intrigues me. Continue reading “Member Spotlight: Kandrel”

FWG Events at Further Confusion 2016

Just a reminder for those of you headed to Further Confusion this weekend that there are two FWG-sponsored panels on the schedule:

Furry Writers’ Guild Reading
Friday, January 15, 5:00 – 6:30 PM
Hilton: Santa Clara
(Members: If interested in participating in the reading, please contact Mary E. Lowd.)
The Furry Writers’ Guild has a wide range of members who write in all different styles. Come listen to members of the FWG read from their work.

Furry Writers’ Guild Meet & Greet
Friday, January 15, 9:30 – 11:00 PM
Marriott: Almaden
The Furry Writers’ Guild exists to support and connect members of the furry writing community. Come meet other writers and talk about the future of furry writing. Open to all — both members and newcomers!

Thanks to Mary E. Lowd and Chipotle for hosting the events!

Book of the Month: Civilized Beasts

civbeasts coverJanuary’s Book of the Month, Civilized Beasts, is a furry/animal-themed poetry anthology with proceeds benefiting Wildlife Conservation Society. The book features work from a wide variety of poets and artists, including:

Larry D. Thomas
B. H. Tang
Kevin Gillam
Chris Wise
BanWynn Oakshadow
Arian Mabe
Marge Simon
Jason Huitt (Lunostophiles)
Eduard Dragomir Szabo
Sandi Stromberg
Renee Carter Hall
Edwin ‘Utunu’ Herrell
George Squares
Ceò
Amy Fontaine
Alice “Huskyteer” Dryden
Winston Derden
Carolyn A. Dahl
Kenket
Dwale
Joyce Parkes
Stefano “Mando” Zocchi
Dominique Goodall
Televassi
David Andrew Cowan
Altivo Overo
Kits Koriohn
Denise Clemons
Jack Warren
Lynn White
Bruce Boston
Laura “Munchkin” Govednik
Weasel

Published by Weasel Press and available from major retailers in print and ebook formats.

Guild News: January 2016

New Members

No new members this month, but if you’re interested in joining, you can find all the info here.

Member News

In book release news, the furry poetry anthology Civilized Beasts is now available in print and ebook formats, including poems from Renee Carter Hall, Huskyteer, and many more. The erotic anthology Will of the Alpha 3, edited by Rechan, has also been released, featuring fiction from Laura “Munchkin” Lewis, Ocean Tigrox, Dark End, and others. (It’s also available as an ebook from Bad Dog Books.) Renee Carter Hall’s holiday story collection Wishing Season has been released in paperback for the first time, and Phil Geusz’s novella Cheetah’s Win (first published in ROAR) is now available as a standalone ebook. Finally, Searska GreyRaven’s story “Reynard and the Dragon” (also first published in ROAR) has been reprinted in the mainstream anthology Swords of Darkness, available now for pre-order.

In periodicals, the new magazine A Glimpse of Anthropomorphic Literature made its debut last month, with the first issue available to read free until February 15, featuring stories from Ocean Tigrox and Amy Fontaine as well as reviews of several furry books. Mary E. Lowd has started a new ezine, Deep Sky Anchor, to feature her short fiction, and Dark End has now completed his murder mystery “The Missing Motive,” with the full story now up on FurAffinity.

In nonfiction, associate member Madison “Makyo” Scott-Clary’s article “On Postfurry” was featured in an episode of Culturally F’d.

Finally, in other member news, Fred Patten celebrated his 75th birthday last month. If you missed Phil Geusz’s interview with him, you can check it out here.

(Members: Want your news here? Start a thread in our Member News forum!)

Market News

Upcoming deadlines: ROAR #7 closes on February 1, and the second issue of A Glimpse of Anthropomorphic Literature is reading through February 15. (More info on both on our Paying Markets page.)

For conbooks, Fur the ‘More is seeking “Cubicle Jungle” submissions until February 15 (maximum 2000 words, full info here).

Remember to keep an eye on our Calls for Submissions thread and our Publishing and Marketing forum for all the latest news and openings!

Guild News

Want to hang out and talk shop with other furry writers? Come join us in the forum shoutbox for the Coffeehouse Chats, Tuesdays at 7 p.m. Eastern and Thursdays at 12 p.m. Eastern. More info on the Coffeehouse Chats is here. (Remember, our forums are open to everyone, not just FWG members. Come register and join the conversation!)

We’re always open for guest blog post submissions from members — good exposure and a great way to help out fellow writers. See our guidelines for details.

Elsewhere on the Internet, we have a Goodreads group with a bookshelf featuring books by our members. Feel free to add any members’ books we’ve missed so far (see the instructions here on how to do that). We also have a Telegram group, and you can find more info on that and a link in this thread.

Have a happy and creative 2016! If you have news, suggestions, or other feedback to share, send an email to furwritersguild (at) gmail.com or leave a comment below.

 

Guest post: “Setting Effective Writing Goals” by Renee Carter Hall

Setting Effective Writing Goals

by Renee Carter Hall

 

For many of us, a new year brings a feeling of a fresh start — a blank slate ready for new habits, new goals, and new accomplishments to celebrate. But after the novelty wears off and all the responsibilities, obligations, and distractions of day-to-day life rush back in, it’s easy for writing to get pushed back to the bottom of the to-do list. Here are a few tips to help you set goals that won’t set you up for disappointment.

1. Consider what you really want. That may sound obvious, but it’s easy to accept other people’s ideas of goals instead of your own. Do you want to write the first draft of a novel to challenge yourself, or because everyone else in your writing group is working on a novel instead of short stories? Consider, also, whether you want to set goals that deal with process (“write 3000 words a week,” “write for 1 hour every weekday”), goals that deal with projects (“finish 2 short stories a month,” “finish the first draft of my novel”), or a mixture of both.

2. Choose goals that are under your control. You might want the end result to be “find an agent” or “get a short story accepted to Magazine X,” but you can’t control whether agents or editors accept or reject your work. Instead, consider goals that are based on your own actions, like “query 10 agents” or “send at least 1 submission to Magazine X.”

3. Find the balance between challenge and realism. Some writers like the challenge of setting big goals and pushing themselves to achieve them; others would rather set the bar lower, get the confidence boost from achieving a smaller goal, and build from there. Consider your personality, your experience level, and your situation, and decide what’s right for you.

4. Write it down. Whether it’s in a private journal or posted online, a written list gives you a visual reminder to focus on — plus the fun of checking off your accomplishments. If it motivates you to share your goals with others, feel free; if not, keep it private.

5. Check in. Once a week, once a month — on whatever schedule works for you, glance over your goals and re-evaluate them. What steps you can take now to work toward each goal? Which ones have been accomplished? You may find that some goals are no longer relevant to you or may need to be reworked, and you might find others to add.

6. Celebrate accomplishments large and small. It’s easy to get disappointed by the goals that don’t get checked off, but try to keep the focus on what you do achieve. Celebrate your progress along the way, no matter how small that progress may seem, and reward yourself with something you love — an hour with the newest video game, the latest book from your favorite author, or a decadent dessert. (Just don’t derail any goals you might have for your health!)

I hope these tips help you make 2016 your most successful writing year yet. What are your goals — writing or otherwise — for 2016? Feel free to share them in the comments!

 

Member Spotlight: John Van Stry

1. Tell us about your most recent project (written or published). What inspired it?

The ‘Portals of Infinity’ series is my most recent project. It’s about a guy who discovers these portals that link all of these different realities together and his adventures as he deals with different realities, gods, goddesses, and champions. Book six just came out in October.

I can’t point to any one thing that inspired it, as it was actually inspired by a lot of different things. Mainly I was looking for a story that could be serialized and this was what I came up with after a lot of thought. I’ve been rather surprised by how well it has been received.

2. What’s your writing process like? Are you a “pantser,” an outliner, or something in between?

I guess something in between; when I start a story I usually have the beginning, the end, and a scene or two written down. But somewhere around the second or third chapter, once I have a feeling for the story, I’ll sit down and write a full outline. However, I do update the outline if necessary. Only the original plot points I started with don’t change.

3. What’s your favorite kind of story to write?

I actually prefer to write first person singular (and yes, that probably wasn’t what you meant when you asked that, right?) I guess I prefer stories with action and adventure, but it’s really hard for me to narrow it down, because many of my stories rarely have a single ‘kind’ to them, I tend to mix it up. I write SciFi or Fantasy predominately, but I’ve written Urban Fantasy, Paranormal Romance, and even a few odder things.

4. Which character from your work do you most identify with, and why?

This is actually a tough question, partially because I’ve got a lot of stuff out there now, as I have a few pen names. I guess I identify a little with Raj, from my book Children of Steel, because we’re both pilots, and we’re both martial artists (though I don’t teach or fight anymore), but I also identify a bit with Mark from The Hammer Commission as that story did come from a dream I had many years ago.

5. Which authors or books have most influenced your work?

That’s a very long list. Roger Zelazny definitely influenced my writing style; Robert Heinlein influenced my love of science fiction and the idea of capable heroes. But also Tolkien, Asimov, Roger Sterling, Lackey, Webber, Dickson, Capote, Zahn, Norman (Lisanne, not the Gor guy), McCaffrey, Correia, and the list goes on. I used to read a lot and I had a lot of authors who I really liked.

6. What’s the last book you read that you really loved?

I guess the last one I read that I really loved was Off Leash by Daniel Potter. It was a ‘Rollicking good yarn’ (sorry, but how often do you get to use the word ‘rollicking’ these days? Couldn’t pass it up). I write full time now, so I don’t get to read as much as I used to, but I came across this book via the board here after talking to Daniel, and I really had a great time reading it.

7. Besides writing, how do you like to spend your free time?

Right now? Fallout 4. Though I do wrench on my motorcycles and ride them whenever I can. I also play bass guitar, pretty much every day. I keep a couple set up next to my writing desk with a practice amp for when I take breaks.

8. Advice for other writers?

STORY! Always put the story first. People want to read a good story; they don’t want to be preached at. This isn’t to say you can’t have a viewpoint, or a ‘message’ you want to convey, but the story must always come first. If you don’t have a good story, you won’t sell any copies. The next piece of advice? GET PAID. As Larry Correia says, make that the first line in your business plan.

Another thing I would say is don’t overprice your work. No one is going to pay bookstore prices for an unknown ebook author, especially a self-published or micro-press one. 5.99 is too much, you should all be looking at 2.99 to start. Yes, you make more money on a 5.99 book, but 70 percent of 1 or 2 sales is a lot less at 5.99 than 70 percent of a thousand sales at 2.99.

Last of all, SciFi is not a big market; it’s actually a tiny market. Fantasy is bigger, but Romance is the biggest. If you like writing Romance, then you should write in that market, as you’ll find success a lot easier than in the other markets, and you can charge higher prices for your work. Furry is a very tiny, microscopic market, so it’s no wonder that the only authors doing well in it are writing Romance. There is also a huge prejudice against anything remotely furry in mainstream fiction, except for Paranormal Romance, which if it isn’t vampires, it’s pretty furry.

9. Where can readers find your work?

Amazon. I went exclusive with Amazon last year, because being in the Kindle Unlimited program was a good financial decision for me. I may start going ‘wide’ in 2016, depending on what Amazon does with that program going forward, but right now Amazon is THE place to buy and sell books. The other booksellers out there on line don’t understand the business, and are failing at it.

10. What’s your favorite thing about the furry fandom?

The friendships mainly. Back when I first got started in the fandom and was more active I made a lot of friends with a lot of the other creative folks. I still know quite a few writers and artists and talk to them occasionally. These days I’m not very active in the fandom anymore, I show up at a con or two, maybe log into a muck for a few minutes to check my mail, and that’s about it.