1. Tell us about your most recent project (written or published). What inspired it?
My most recently published anthropomorphic project is the short story “Prospero” for Tarl “Voice” Hoch’s horror anthology, Abandoned Places. I’m really fond of taking genre tropes and subverting them. In this case, I started with the common trope of “furries through genetic engineering” and went further than humanity. It’s a cautionary tale about the consequences of humanity trying to use science to distance itself from nature, and how you can’t out-think instinct.
The story is presented as a letter home from a pygmy marmoset, the titular Prospero. He’s genetically engineered to be hyper-intelligent, and was sent out into space to function more or less as a biological component of a larger computer system. Just a piece of the machinery that’s more efficient and economical to launch and operate than silicon for the tasks anticipated. So humanity casts a hyper-intelligent social primate out into the void, alone, and neglects to ask him if he even wanted to go, or for that matter, if he’d want some company along the way. And humanity pays the price for this.
With a theme being “Abandoned Places”, I can’t think of anywhere more lonely and abandoned than the silence of deep space.
2. What’s your writing process like? Are you a “pantser,” an outliner, or something in between?
I’m a “seeder”. Stories tend to come to me with a climactic scene popping into my head fully formed. From there, I have to outline, plot, and write forward and backward from that point, to understand both the circumstances that led to the dramatic scenario I envisioned, and its consequences.
I’m trying to get better about starting my stories from the beginning, once I have the climactic scene in mind. In fact the project I just finished for SofaWolf’s Hot Dish anthology is the first I set out to to rigorously write from the beginning.
Before writing, I’ll play music I consider relevant to the pieces I’m working on, as I envision scenes. Once the writing starts, though, I work in silence and solitude as much as possible. My typical writing window is ninety minutes to two hours. Chemically, one to two standard drinks of alcohol, three to five of caffeine, in that time period, keeps the words flowing. On a good day I can turn out five thousand words in those two hours.
3. What’s your favorite kind of story to write?
Pornography for the heart. In a past life I’m pretty sure I wrote soap operas and melodramas. I delight in making my beta readers bawl their eyes out in a reading, and then laugh out loud, or otherwise react unconsciously. A room full of beta readers being silent? That’s a story without punch.
My goal is to move my readers emotionally. I write stories about flawed protagonists who earn their scars, and not all of them are worn with pride. Some are just worn because they were wounded. I like my villains to be the protagonists of their own stories; everyone brings their own stakes and reasons to the table.
I also love taking cliches and common tropes and twisting them in on themselves, subverting them, taking the reader on uncomfortable journeys they’re glad to have taken.
Continue reading “Member Spotlight: Patrick “Bahumat” Rochefort”



