Interview: Gre7g Luterman on Writing Erotica

Welcome to another interview with a member of the Furry Writers’ Guild! Before we get started we’re obviously discussing things that are NSFW today as we discuss erotica writing so readers be advised.

At the Furry Writers’ Guild, we’re not afraid of adult writing. Erotica can sell well anywhere, especially within the fandom, with some of our biggest anthologies produced every year being erotic in nature. However, not everyone is experienced in writing such spicy stories and might not know where to start or if they should at all.

While writing adult stories isn’t for everyone, we have some wonderful insights from those who may want to try from FWG member Gre7g Luterman. Gre7g recently won a 2019 Cóyotl Award for “Fair Trade” which is a safe for work novel set in the Hayven Celestia Universe. Today however, we sat down with Gre7g to discuss writing his debut erotic novel “Long Way Home” to discuss his adventures in the adult writing space.

Enough introductions, let’s get to the interview!


 

FWG: Let’s start at the beginning, tell the guild a little about yourself in case readers don’t know you.

Gre7g: All right. My name is Gre7g Luterman. I started writing in the late 70s. For a little while in the 90’s I was known for running a website called “The Temple of Luna” (I was huge into werewolves back then!) and then I made a chat site called “Wolfhome” which was popular in the early 2000s. Back in the 90’s, I wrote a novella that was moderately popular called “Ley Lines” and I wrote my first novel, “Monstrous Motives”. It was awful. I ran a couple writing contests out of the Temple.

Then in the mid-2000s, I wrote a serial novel called “Brick and Mortar” for the World of Warcraft fandom. In ’09, I moved to Alabama and wrote a trilogy of books based on Rick Griffin’s short story, “Ten Thousand Miles Up”.

The trilogy was really well received in the fandom and just recently, the third book in the trilogy, “Fair Trade”, was the first story to win all three of the fandom’s awards, the Ursa Major, the Coyotl, and the Leo Literary Award. I also wrote a SciFi murder mystery and an erotica in the same universe, and I helped Rick edit an anthology of short stories from various authors in the same universe.

FWG: Long Way Home was your first erotic novel correct? What inspired you to take the leap into writing erotic fiction when your previous works were all safe for work?

Gre7g: Well, I have written some erotic short stories previously. “Long Way Home” was just the first novel-length story.

So, anyhow, a couple years ago, my wife and I went out drinking in Chattanooga. I got very drunk and—those who have seen me drink at cons can verify—I’m a really loud drunk. So there I am, in this restaurant, boohoo-ing at the top of my lungs about how much effort I put into my stories, but no one ever gives them a chance because they’re not porn.

And Ky—who is eternally unphased by anything—just says, “So, write a porno.”

Then I spent like the next hour shouting about, “Okay, I will!” But I really didn’t want to do one of the “You’re not the usual pizza delivery guy!” Pornos that are so common in the fandom. I wanted the story to come first, to write a real adventure… that just happens to have a lot of graphic sex in it.

FWG: We’ve all heard “sex sells”. It’s a common message especially across the furry fandom that you ‘need’ to write erotica to get noticed. Seeing as how this was partially your motivation to write the novel be honest, has it sold better than your other books?

Gre7g: Yup. It has proven to be my best-seller. Not a real shocker, but a confirmation. But even before I wrote it, I had always told people that my evil plan to get a readership was to write a bunch of non-porn stories that I was super proud of, and THEN to write an erotica.

My thinking was that readers would be all, “Ooh, furry porn!” pick it up, love it, and then say, “What else has he written?” and then without even realizing that the others weren’t porn, they’d scoop them up and I’d sucker them into reading something more substantial.

FWG: In general has that been an effective strategy you might suggest to other authors who normally might not want to write erotic fiction?

Gre7g: It’s still a little early to say if that plan has worked out. Like I said, “Long Way Home” continues to be my best seller. But it can’t hurt, right?

What I do feel confident in saying is that there’s an old adage that everyone has a million bad words in them. Until you get those out of the way, you can’t get to all the good words to follow. So keep writing no matter what. Even if everyone hates the stories you’re writing now, it may just be that you’re still working through the bad words to get to the good ones.

FWG: So onto marketing the book itself, you’ve said Long Way Home is “too hot for amazon”. Is this just a marketing ploy or is there a story behind this? In general, what changes in marketing do you have to make when promoting Long Way Home instead of your other works?

Gre7g: Well, so there’s a funny thing about illustrations in erotic novels—they all tend to show what happens RIGHT BEFORE you get to the good stuff. You might see a furry undressing, or a butt, maybe the back of a boob, but certainly not the main event. Though, if you look at what gets posted on Twitter feeds and popular furry sites, it’s obvious what the fans really want to see.

So, when it came time for the illustrations, I asked Ky for the good stuff, the best moment of each erotic scene. Well, long story short, it turns out there’s a reason why erotica is illustrated the way it is. The text can be incredibly graphic, but as soon as the illustrations are too dirty, Amazon won’t sell it.

They, actually, sounded quite pissed in their e-mails. They locked my account, made me promise to never do it again, threatened to watch anything else I submitted to them with ADDITIONAL SCRUTINY.

Anyhow, I definitely didn’t want to waste all of Ky’s amazing artwork, so I decided not to change the art, not to add censor bars or anything, to have the books printed privately, and sell them through my website (https://gre7g.com/). True, I’m now missing out on Amazon’s amazing reach and how they cross-promote books, but oh well, the book remains intact and available for people to buy.

FWG: Independently selling your books isn’t a new thing for you by any means. Before the pandemic, you used to attend a lot of southeastern conventions. With so many publishers and distributors at those conventions, why did you choose to sell at your own booth? Are there advantages to doing so authors should be aware of?

Gre7g: Well, what I’ve found is that it’s nightmarishly hard to break into writing! It seems like there’s only a handful of authors with name recognition whose books will sell whether people have heard good things about them or not. The rest of us are left to squabble over the few readers who are willing to try an unknown. And INSIDE the fandom, instead of a handful of authors, it’s more like two.

If a book says “Ursula Vernon” or “Kyell Gold” on the cover for example, then it’s sure to sell great, but for anyone else, the book has to be actively promoted before it will sell.

Like you said, there’s a lot of publishers and book distributors going to cons that you can sell your books through, but if a dealer’s got books from two dozen different authors, how much is he going to promote yours? Will he even have read it?

Besides, conventions are one of the few times I EVER get to talk to readers and other aspiring authors. I love giving talks on the craft and blathering on to anyone who stops by my table. And I love getting feedback from fans. I want to know what worked and what didn’t so I can make my next story perfect.

Sadly, you don’t get a lot of feedback as a published author. Readers are moderately quick to leave comments on stories posted online, but as soon as it’s a printed book or an e-book, a lot more people read them than actually tell you what they thought!

FWG: So this is a way to get some reviews in a specific way, things like if your cover design is doing well, your sales pitch is solid, things like that?

Gre7g: No, it’s not anything quite so formal. The biggest thing about writing is finding a way to keep motivated. Writing a novel is a little like being a radio DJ. You’re out there, giving it your best shot, but your audience is way far away. You can’t hear them laugh, no matter how hilarious a joke you tell.

Same thing. I can write a book that brings the audience to tears, brings them to their feet and they cheer, but will I hear it? No. So, I’m just sitting there in my basement, typing away. I get a royalty check from Amazon every month, but does anyone actually like the stories? Why am I even doing this?

But you go to a con and there’s one single fan who runs up to the table all tongue-tied that wants to tell me about how much they love the story, and NOW I want to run home and write more. Yeah, sure, sometimes people will put that love out in an Amazon review, but it’s not even nearly the same as talking to someone in person. That recharges your batteries and makes you want to do it again.

FWG: You recently started a Patreon, how has that been going? Has it had a similar effect of allowing you to connect more directly with fans?

Gre7g: Yes! I love Patreon! You can find me at https://www.patreon.com/gre7g and I get that same feedback high there in spades! Initially, I was afraid to try it because I didn’t want to put myself in a position where I owed the subscribers stuff, but now that I’ve taken the plunge, instead of waiting to finish an entire novel, got it edited, illustrated, and published, I can just dash together a crazy idea for a scene and toss it up.

It can even be in a totally different universe or something strictly NON-canon, and that’s okay. I’m not breaking a rule of our universe because it’s just for fun and not published. Sometimes the readers love it and sometimes they don’t, but I get that feedback right away. I even let them suggest things that they’d like to see happen and I write that.

Oh sure, now I’m writing on a dozen different storylines and it could be ages before one turns into a completed book, but I’m having fun and I think my Patrons are too.

FWG: Especially as we’re discussing erotica a bit today, are you worried about how Patreon has been locking certain accounts of adult content posted not only on Patreon, but on other websites?

Gre7g: Yeah, that is frustrating! It doesn’t directly impact me since there’s often ways around it. If I, for example, write an erotic scene that I want to share with my readers, I can still make a Patreon post and include a link to my own website where I can host whatever I like. Then Patreon is still faultless and I’m taking responsibility for my own content.

But I’m not just a producer. I’m a consumer too. I love seeing things that creative make, regardless of whether it is G rated or X. I don’t want to see some politician or some investor impose an agenda that dries up the content I would have otherwise enjoyed.

FWG: So for our readers, especially as many are authors themselves, do you have any tips for any that want to try writing something on the erotic side for the first time? Anything to offer from your own experiences trying this as something newer?

Gre7g: Well, I suppose my advice would be to find an avenue where you can get that instant feedback, like I have on Patreon or that other authors are getting by posting their stuff on AO3, SoFurry, or the like. Whenever you’re going to try something new, get that feedback nice and early. Don’t worry about hiding it away so that people will have to buy it when it’s ready.

The worst thing that could happen is that you invest the zillion hours to write a whole novel and then for it to not sell because you’ve gone off in a direction that the readers aren’t into.

That was always a huge fear of mine when I first started writing, that someone would steal my story, or that they wouldn’t buy it because they’ve already read it for free on the internet. But money isn’t the end-all-be-all and there’s always more readers out there. Your priority as a writer is to keep that motivation going so that you enjoy creating and so that you keep creating.

FWG: That about wraps up the general discussion, do you have any upcoming projects you’d like to tell folks about? Anything in general you want to promote?

Gre7g: I don’t actually know what my next book will be at this point! I’ve got about a third of a murder mystery written and a chunk of a new Kanti book and various chapters of other stories.

I’m excited about all of them and I love how readers seem excited but I’m still kinda poking at each to see which will catch fire. You know that wonderful sensation when a book catches fire and you can’t wait to finish work each day so you can spend a few hours giving it some love?

None of them are quite there just yet, but when one does, I’ll be on it. For those that want to keep an eye on my progress, Patreon is 100% the best way to do it. Not only can you see what I’m messing with for a measly $1/month, but you can suggest and give me feedback on what you think too. I love talking about it and anything that helps me connect to the readers (or other authors) is great.


We want to thank Gre7g once again for sitting down to talk with us. You can find him on Twitter and his works on his website. We hope this interview helped provide some insights on writing and marketing your erotic works. Until next time, may your words flow like water.

Interview: Thurston Howl on Multimedia Fiction and Sensory De-Tails

Welcome to another interview with a member of the Furry Writers’ Guild! Recently, Bound Tales released an anthology called Sensory De-Tails. Before we go any further this is an adult anthology that is most certainly NSFW that we will be discussing today. However, it’s not simply the adult nature that makes this anthology one worth exploring.

Bound Tales offers a deluxe edition of the anthology which includes things like cologne samples, faux fur, and a music CD. The idea is to allow readers to interact with the stories presented in the anthology. Today we’ll be talking to the editor of Sensory De-Tails, Thurston Howl, to discuss multimedia fiction ad how the anthology came to be. He has edited works like The Electric Sewer, Infurno, and more. He’s also made several anthology appearances including some in ROAR, FANG, and HEAT.

Enough with the introductions, let’s get to the interview!



FWG:
First for the folks that might not know you, tell us a little bit about yourself and your writing.

Howl: Sure! So, I’m Thurston Howl. I’m an editor for Sinister Stoat Publications and the lead anthology editor for Thurston Howl Publications. I founded the Furry Book Review program and have received both Leo Literary Awards and Ursa Major Awards for my writing. I typically work in erotic horror, both inside and outside the fandom. I’ve been a judge for the Silver Falchion Award and the Claymore Award, both horror awards in the Killer Nashville program. Personally, I am a bigender person living with HIV and work with a lot of activism regarding that.

FWG: What inspired you to make an anthology like Sensory DeTails?

Howl: So, before Sensory De-Tails, I’d edited a lot of furry anthologies. What bothered me very often, even with big-name furry writers, was that canines couldn’t hear someone turning the corner up ahead. A feline couldn’t smell musk until they were right up against a body. A snake didn’t have any taste buds different from the canine or feline. And for me, it wasn’t a matter of “accurate” biological representation. It was about untapped potential.

In non-furry erotica, sensory details are great for immersion in sex scenes. In furry erotica, usually not much had changed despite heightened senses. So, I started the anthology as an exercise for furry writers and readers. Show off furry senses in unique and erotic ways.

FWG: So when was it that you came up with the idea to add an interactive element to the anthology? Where did the idea come from?

Howl: Well, it’s not the first time I’ve gone for something interactive. 12 Days of Yiffmas had an erotic holiday music album to accompany it, for example. The stories in Sensory De-Tails begged for an interactive component. When Al Song describes how erotic a classical piece of music is, you kind of have to hear it to believe it. When Linnea describes why you’d want to rim a beaver, well, we need to taste that, too. It just seemed totally natural to do.

FWG: Since you obviously have a well storied writing career, pun somewhat intended, you’ve edited quite a few anthologies over the years. From what you have seen, have multimedia anthologies, or multimedia fiction in general, gotten more interest from audiences? Sold more? Generated more interest?

Howl: It’s a hard question to answer. About a year ago, I wrote a blog post about how anthologies generally don’t do well. Period. Talking with other publishers, that seems to be the standard (though each of our definitions of “well” might vary). I can’t say that multimedia anthologies have done any better sales-wise. But when they are read and reviewed, people always comment on how enjoyable those components are and how they really make the reading a full experience.

FWG: So in general, the audience benefits, and that gets more people possibly interested in furry lit?

Howl: Perhaps. I don’t think I went about the anthology explicitly trying to get more people interested in furry lit. But I think that’s part of the drive for producing anthologies in general.

FWG: Let’s take a look then at how making a multimedia anthology works then. Other than picking the stories, formatting, and things seen in typical anthologies, what kinds of challenges were there in getting the deluxe edition out there?

Howl: For scents, I worked with Shoji Tiger. They work with making colognes already as a small hobby business. I had them read the stories, and they crafted scents based on the way that smell appears in those stories. One was easy, a very sweet smell. The other was a bit tougher, “muskier.” That one took a lot of trial and error.

For sounds, I just had to make a CD featuring classical songs related to the stories. Not as bad.

For sight, an artist read the stories and focused on the ways colors mattered in them, making colored art prints based on them.

For touch, I went to a hobby store to pick up textured fabrics, faux furs, and leathers in order to match the featured species of those stories. A bit tough to get it just right, but I think it’s at a good point now.

For taste, I actually had a barista turn flavor profiles from those stories into latte recipes! They taste great.

FWG: So if another editor, publisher, maybe even a self publisher, wanted to add interactive elements to their book, what suggestions might you have for them?

Howl: For starters, I’d say only do it if you want to for non-financial reasons. I’ve seen too often people pay for exquisite art, bookmarks, posters, etc. for their book, and it sell under ten copies, and they’ve been devastated. If you want to do interactive stuff, do it because it’s just fun for you. And because you want those ten people to have a good time.

FWG: Do you think there’s any smaller ways individual authors might be able to make their own stories interactive? Like a playlist to go with their story or something similar?

Howl: For sure! Playlists are one easy way (we did that with Electric Sewer). Little recipes, too. If your story has a world-building element, throw in a “Which Nation Would You Be From?” quiz. If you ship your own works, add little things like stickers, textures, Valentine’s Day cards from the characters, etc. There are so many options, and they largely depend on what kind of story you’re telling. But by all means, go for it. A little goes a long way!

FWG: Before we wrap up on things, any last bits of general advice to writers, editors, and publishers out there?

Howl: Be safe. Be well. Keep fighting against oppression. Keep being creative.


We hope you enjoyed our interview with Thurston Howl and learned a bit about multimedia fiction in the process! In lieu of our usual social media promotion for those interviewed, Thurston requested that we ask readers to check out Difursity.  It’s an anthology that features stories written only by furries of color, many of which are FWG members. That’s all we have for you today so until next time, may your words flow like water.

2019 Cóyotl Awards Ceremony LIVE Tonight!

It’s the moment you’ve been waiting for, the winners of the 2019 Cóyotl Awards will be announced TONIGHT via Periscope on our Twitter account! It will be hosted by guild president and Cóyotl Awards chair Linnea “LiteralGrill” Capps alongside a miniature fuzzy co-host in fur suit. In case you have forgotten, here are the works up for the awards this year:

Best Short Story:

“Dirty Rats” by Jan Seigal (The Jackal Who Came In From The Cold)

“Night’s Dawn” by Jaden Drakus (FANG 10)

“Pack” by Sparf (Patterns in Frost: Stories from New Tibet)

Best Novella:

“Minor Mage” by T. Kingfisher

“Love Me To Death” by Frances Pauli

Best Novel:

“Titles” by Kyell Gold

“Symphony of Shifting Tides” by Leilani Wilson

“Fair Trade” by Gre7g Luterman

“Nexus Nine” by Mary E. Lowd

“The Student – Volume Three” by Joe H. Sherman

Best Anthology:

“Patterns in Frost: Stories from New Tibet” edited by Tim Susman

“Fang 9” edited by Ashe Valisca

“Fang 10” Edited by Kyell Gold & Sparf

So don’t forget to tune in tonight and see the winners. We wish all these writers and editors the best of luck and we hope to see you all there!

FWG Monthly Newsletter: June 2020

Hello there FWG members, it’s time for another monthly newsletter! We’ve got a good bit of news for you this month, so let’s hop right into it!

First we’ll be streaming the Cóyotl Awards Ceremony on July 8th at 8 PM CST! We know you’ve all been waiting, but we’ve finally managed to get all of our things together for our trophies and managed to get safe shipping set up. We’ll be streaming live from our Twitter account via Periscope, so keep an eye out there for the stream. 

Second, we would like to give a warm welcome to our newest guild officer: Moonraiser! They will be taking over as Markets Manager. If you know of a furry market that should be listed in our Furry Writers’ Market contact them and we’ll get it added.

Don’t forget we have a wonderful beta reading program taking place on our Discord. This month @KILL!Roy beta read the most stories! We had 15+ reads officially documented through the program this month and we hope next month we can have even more.

Last month was Pride Month so we featured several FWG members all across the LGBT+ community. We encourage you to check these out to not only learn more about your fellow guild members, but to learn a bit about how various identities can affect writing.

We would like to remind everyone once more about our Microfiction Monday initiative. Any writer, non-members included, that can write a Tweet sized story has the opportunity to have it featured on our Twitter! You can learn more about the program and how to submit here. We almost ran out of submissions this month, so any stories that get sent in will almost certainly be featured! Take this opportunity to try a writing challenge and get a shoutout.

Last month we accidentally missed a few titles that was released and wanted to fix that! Anyone publishers or writers, with books going out should email us at furwritersguild@gmail.com with any books that are coming out to help us not miss any titles. This includes any self published work! With this in mind, the books we missed include:

We also have some other new releases from this month! Be sure to check these out:

Part of our website update was making our Furry Writers’ Market better than ever before! You can find all of open markets for furry writing we can track down here: https://furrywritersguild.com/furry-writers-market/

Currently, these anthology markets are open:

Consider checking out our page for details and writing up a story for one of these awesome anthologies!

One last thing before I sign off for the month. We said it on Twitter but I’ll say it here once more: Black Lives Matter. The Furry Writers’ Guild stands in support of all of our Black members as well as any other members of marginalized groups within our ranks. We always want our members to feel safe and to do our best to uplift their voices. If there’s anything the guild could be doing better in this regard, please get in contact with me right away: it’s a top priority. Until next month, may your words flow like water.

– FWG President Linnea “LiteralGrill” Capps